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New Delhi Cabaret, 544 Main Street, Vancouver

I was on a mission tonight to find old photos of a friend from the ancient days before digital cameras and was therefore rooting through ye olde banker's box of photos. In the course of doing this I found the above cabaret ticket with the photos I inherited from my father. The ticket has to date from the early 1960's. My dad drove a taxi for Black Top Cabs in the early 1960's. I posted one of his old fare-receipts last July.

I did a little research on the New Delhi Cabaret. It was a live music venue that focused mostly on R&B and was in operation from 1956 to 1973, run by a guy named Leo Bagry. They had a house band and also had feature bands and novelty acts. Durius Maxwell played there as a novelty act as a teenager. Tommy Chong's (as in "Cheech and Chong") band "The Shades" played there frequently in 1959-1960. They had burlesque dancers. Choo Choo Williams started her 12-year dancing career at the New Delhi Cabaret. Miss Lovie danced there in there starting in 1964 and here is her own description of her act:
"I made things happen with my body. I'd sit on the floor, I'd stick my legs up high, up above my head, and I'd make my butt pop. I made my buttocks work like drums through muscle control. I could move around the floor like a clock, in a circle. I did the splits. I used to do a lot of black light dancing, and I used to wear a lot of glitter all over my body. That use to be my thing: I glittered."
It's also my understanding that these cabarets weren't licenced, but nonetheless people brought their own liquor in brown paper bags that they would hold under the tables. Elaine tells me that her dad, my father in law, used to go to these places and verifies the booze-in-a-bag-under-the-table thing. This wasn't officially sanctioned, but nothing was done about it. Note the 4 a..m. closing time on the ticket, too.

The New Delhi wasn't the only cabaret like this in the East End. In 1967, an article in the Vancouver Province noted: "As a tourist attraction, Chinatown probably ranks second only to Stanley Park, and so contributes greatly to Vancouver's fame abroad. With its restaurants, stores and nightclubs, it adds entertainment spice for resident and visitor alike."

Vancouver wasn't alway "No Fun City."


Below is 544 Main Street as of last spring (from Google.)

544 Main Street, Vancouver


Sources:
"Tripping with Chong" http://www.canada.com/story_print.html?id=c55e75c8-90cb-46c5-89cb-73fc6bf1f6d2&sponsor=
"Pacific Northwest Bands" http://www.pnwbands.com/newdelhicabaret.html
"The Drum Network" http://thedrumnetwork.ning.com/profile/DurisMaxwell
"Spectacular Striptease, Performing the Sexual and Racial Other in Vancouver, B.C., 1945-1975", Becki Ross, Kim Greenwell, Journal of Women's History 17.1 (2005) 137-164

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Cross-posted from my blog on Gothic BC

The Scream - Siouxsie and the Banshees

What you see here is my now thirty year old original 1978 Polydor U.K. pressing of Siouxsie and the Banshee's "The Scream," arguably the first "Gothic" album, though the word was yet to be applied. There are apocryphal stories (including the alt.gothic FAQ) that Siouxsie Sioux first used the term herself in describing the direction of the band, but it would be at least another year before the word "Gothic" would be used in print to describe any band, and several more years before the term really started to stick.

At the time, though, this would have been called punk and punk is how I came to it. Already a fan of the Sex Pistols, I'd read that Sid Vicious played once as drummer for band called "Siouxsie and the Banshees" and I was curious to hear them. Of course no one in Duncan knew who the Sex Pistols were, let alone Siouxsie and the Banshees. And there was no public Internet, period. I was still a few years away from trading mixed tapes with pen-pals. "Brave New Waves" on the CBC was also years away. The only recourse was pilgrimage to the "big city" - Victoria. 

I purchased this used sometime in late 1979 from "Lyle's Place" (the price tag is still on the front, $5.95) on Yates Street in Victoria, most likely while out with my dad to see some awful movie at the Odeon that would never play in the cinema in Duncan. I would have been 12.

This is it. This is the beginning. This is the undifferentiated stem cell from which all goth music split. And what's most remarkable is even now, thirty years later there is nary a song on this album that wouldn't fly on the dancefloor at Sanctuary right now in 2008. 

mbarrick: (Default)
Hahaha

Yeh!

Jun. 3rd, 2001 06:16 pm
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I was in a mood to hear something I hadn't listed to in a while and pulled my old Generation X albums out. This stuff kicks ass!

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