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It's Remembrance Day again. In some past years I've made posts about my father's service during WWII (2001, 2003 repost, 2005 repost, 2008) and at other times I've written about some of the horrors my mother and father survived during WWII. And one year I had a few things to say about why it's important to remember war. Let me reiterate and expand on those thoughts:

This is not a day to sing the praises of war. This is a day to remember the horrors of war, honour those that endured them, and in so doing remember and learn that war is not to be entered into lightly. This is not a day to glorify war, this is a day to glorify peace. It was hoped that November 11, 1918 would be not only the end of the World War I, but the end of all war.

The creators of wars always claim one noble ideal or another as the motive, but the real cause is and has always been over resources. If there was enough space, food, and energy to go around there would be no war. Each tribe is trying to ensure its own survival. The noble words about gods and ideologies are just ways to delineate one tribe from another. It's a nice ideal to cherish diversity but when the cold creeps in or the food runs out there will always form an "us" and a "them" to fight over what's left. War ends and tolerance of diversity only happens when there is enough to go around.
These days, thanks largely to the overflow of American propaganda and neo-con sensibilities, Remembrance Day seems to have lost all this. It's not only easy to laud the virtues of war when you are the winner, it's also necessary to do so when you are the "us" and you are swinging the "big stick" at "them."

The problem is, someone is always at the short end of the stick. There is always the "them." With my white skin and English surname you'd probably assume my family was on the "us" side when it comes to the First World War. It's not the case. My father changed his name. All four of his grandparents came from a village in what is now part of Ukraine, but at the time was part of the Austro-Hungarian Empire. They came to Canada in the late 19th century to find freedom and fortune (and, no doubt, to get away from things like the Austro-Hungarian forced relocation of ethnic Ukrainians in Galacia.)

Ukrainian and other internees at the Castle Mountain Alberta internment camp in 1915
After Archduke Franz Ferdinand of Austria was assassinated and the Austro-Hungarian Empire declared war on Serbia, causing Germany, the British Empire, France, the Russian Empire, the Ottoman Empire and the other powers of Europe to all pick sides and declare war on each-other, what it got them, as former Austro-Hungarians, was declared "enemy aliens." Unlike the Japanese internments in WWII, the Ukrainian interment of WWI is not so well known. The government destroyed most of the record of the First National Internment and it's not something my father ever talked about, so I don't know if my grandparents and great-grandparents on his side of the family were among the 6,000 interned and used as forced labour (building, for example, Banff National Park) or the 80,000 forced to register and report. Either way, even after serving Canada in WWII, it's no surprise my father chose to change his name to something English after the war and moved away from the Prairies when the Soviet Union (containing what at that point was the Ukrainian Soviet Socialist Republic) became the "bad guy." Being ethnically Ukrainian could have easily once again have meant having ones freedom severely restricted or even getting shipped off to a labour camp.

Then there is my mother's side of the family. She's from Belgium. Belgium was neutral at the start of WWII. They were first, technically, invaded by Allied forces. Then the Germans also invaded to fight the invading Allies, at which point Belgium sided with the Allied forces but was overpowered by the Germans. My mother was ten years old when Nazis overran the country. Her family endured hardships. My namesake uncle René fled on bicycle to Free France to avoid Nazi conscription. Her father fought in the resistance and saw comrades sent to concentration camps. Many of my mother's friends were killed by v-bombs. All for the unfortunate circumstance of being in a country that did not want to fight, but was unfortunately caught between the countries at war.

And this, of course, was the same boat Belgium was in during the First World War. Belgium was neutral then as well, but ended up being Germany's path to France. Belgium was occupied. Food supplies were seized for the German army and the civilian population starved. Thousands fled to refugee camps in the Netherlands. My mother's mother was 10 when that war started.

After history repeating itself like this there is little wonder that my mother left Belgium at the first opportunity once the war was over?

Even those that stayed, like my great-uncle Floran (who lived through both wars) never really trusted there wouldn't be another. Even though his position as the mayor-for-life in the small town where he lived afforded him a car and driver as a perk of the office, he kept and maintained a car of his own until he was too old to drive it just in case he should have to flee another war.

I am here because the (mis)fortunes of war drove my parents to this "safe" place.

And my wife's history isn't much different. Like me she is half Ukrainian, and the other half is Scottish. Ukrainian I have already covered. Need I go on about Scottish fortunes at the hands of the English for the last thousand years or so?

So even though my father was a soldier, even though I once upon a time volunteered and said my oath to the queen, even though I carry a Legion membership in my wallet, I remember this on Remembrance Day: while a soldier can be noble, armies are the blunt instrument of the state, and they are often used to roll over and cast aside innocents that happen to be in the way of or undesirable to the state; war makes the rich richer and the poor dead; above all war is to be reviled and avoided.
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Most Vancouverites are aware of the two "bunkers" at Tower Beach and the "Siwash Bunker" in Stanley Park. The Siwash bunker is a WW I relic, originally housing a 4" gun, and as such can be properly referred to as a "bunker." The towers at Tower Beach, however, built for WW II, never were gun emplacements and were never manned, and as such are not really "bunkers" at all. More on that after the cut.


A walk along Tower Beach and what is left of the Point Grey Battery )
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New Delhi Cabaret, 544 Main Street, Vancouver

I was on a mission tonight to find old photos of a friend from the ancient days before digital cameras and was therefore rooting through ye olde banker's box of photos. In the course of doing this I found the above cabaret ticket with the photos I inherited from my father. The ticket has to date from the early 1960's. My dad drove a taxi for Black Top Cabs in the early 1960's. I posted one of his old fare-receipts last July.

I did a little research on the New Delhi Cabaret. It was a live music venue that focused mostly on R&B and was in operation from 1956 to 1973, run by a guy named Leo Bagry. They had a house band and also had feature bands and novelty acts. Durius Maxwell played there as a novelty act as a teenager. Tommy Chong's (as in "Cheech and Chong") band "The Shades" played there frequently in 1959-1960. They had burlesque dancers. Choo Choo Williams started her 12-year dancing career at the New Delhi Cabaret. Miss Lovie danced there in there starting in 1964 and here is her own description of her act:
"I made things happen with my body. I'd sit on the floor, I'd stick my legs up high, up above my head, and I'd make my butt pop. I made my buttocks work like drums through muscle control. I could move around the floor like a clock, in a circle. I did the splits. I used to do a lot of black light dancing, and I used to wear a lot of glitter all over my body. That use to be my thing: I glittered."
It's also my understanding that these cabarets weren't licenced, but nonetheless people brought their own liquor in brown paper bags that they would hold under the tables. Elaine tells me that her dad, my father in law, used to go to these places and verifies the booze-in-a-bag-under-the-table thing. This wasn't officially sanctioned, but nothing was done about it. Note the 4 a..m. closing time on the ticket, too.

The New Delhi wasn't the only cabaret like this in the East End. In 1967, an article in the Vancouver Province noted: "As a tourist attraction, Chinatown probably ranks second only to Stanley Park, and so contributes greatly to Vancouver's fame abroad. With its restaurants, stores and nightclubs, it adds entertainment spice for resident and visitor alike."

Vancouver wasn't alway "No Fun City."


Below is 544 Main Street as of last spring (from Google.)

544 Main Street, Vancouver


Sources:
"Tripping with Chong" http://www.canada.com/story_print.html?id=c55e75c8-90cb-46c5-89cb-73fc6bf1f6d2&sponsor=
"Pacific Northwest Bands" http://www.pnwbands.com/newdelhicabaret.html
"The Drum Network" http://thedrumnetwork.ning.com/profile/DurisMaxwell
"Spectacular Striptease, Performing the Sexual and Racial Other in Vancouver, B.C., 1945-1975", Becki Ross, Kim Greenwell, Journal of Women's History 17.1 (2005) 137-164

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Everyone knows that "Aspirin" while used as a generic term of acetylsalicylic acid (A.S.A.) is actually Bayer's brand-name for the drug. But did you know that Bayer introduced another product in 1898, intended as a non-addictive substitute for morphine? The chemical was diacetylmorphine or diamorphine. The hope that this synthetic morphine derivative was not going to be addictive was obviously a failure and the drug was banned, but the brand name has persisted in the English language as the common name for the drug. The brand name was "Heroin."

So what do you know? Bayer added not one, but two words to the English language.

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Two excerpts from a CBC radio essay "Empires and Multinationals" that first aired in 1986. The programme was rebroadcast February 26, 2010 on "Rewind" and it's remarkable how relevant it remains. The whole programme is available from the CBC at this URL:

http://podcast.cbc.ca/mp3/rewind_20100226_28137.mp3

The 1984 games in Los Angeles were the end for me. I had been disappointed by the boycott of the Moscow games in 1980, and the blatant commercialisation of the 1984 games with the creation of the "Official Sponsor" programme was like trying to get a bad taste out of my mouth by washing it out with soap. Since then I've pretty much ignored the Olympics as irrelevant and meaningless, but of course there was no ignoring them this year.


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It's only been in my lifetime that the Olympics have turned from being a celebration of amateur sport (albeit heavily politicized) into one big advertising vehicle for multinational corporations, ultimately at the expense of the host city.
The IOC originally resisted funding by corporate sponsors. It was not until the retirement of IOC president Avery Brundage, in 1972, that the IOC began to explore the potential of the television medium and the lucrative advertising markets available to them. Under the leadership of Juan Antonio Samaranch the Games began to shift toward international sponsors who sought to link their products to the Olympic brand.
--Wikipedia
The sale of the Olympic brand has been controversial. The argument is that the Games have become indistinguishable from any other commercialized sporting spectacle. Specific criticism was levelled at the IOC for market saturation during the 1996 Atlanta and 2000 Sydney Games. The cities were awash in corporations and merchants attempting to sell Olympic-related wares. The IOC indicated that they would address this to prevent spectacles of over-marketing at future Games. Another criticism is that the Games are funded by host cities and national governments; the IOC incurs none of the cost, yet controls all the rights and profits from the Olympic symbols. The IOC also takes a percentage of all sponsorship and broadcast income. Host cities continue to compete ardently for the right to host the Games, even though there is no certainty that they will earn back their investments.
--Wikipedia
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Things you have to be my age or older to remember:

1. Watching people walk on the moon, live, on a TV that took half an hour to warm up
2. Monophonic AM transistor radios with one big white ear-bud that you used to secretly listen to Brave New Waves at 2:00 a.m. without your parents catching on
3. 25¢ comic books
4. 300 baud audio-coupled modems
5. Slide rules
6. Flash cubes
7. Sending audio cassettes through the post to share music with your friends
8. Stubbies
9. Taping a penny to the tonearm
10. Rotary phones, busy signals, and 5-digit dialling
11. Not being able to recharge your batteries, ever.
12. Lawn darts and fly-mows
13. Getting candy at the dentist
14. "What fits into Russia?"
15. People smoking in the hospital waiting room
16. Carrying a dime in case you had to make an emergency phone call
17. Having the doctor come over when you were sick
18. Metal rollerskates that clamped onto your shoes with a key
19. Free tickets to the P.N.E. at the end school year with your report card (not to mention using periods in abbreviations like "P.N.E."!)
20. Planning your spending around needing to go to a live teller, between 9 a.m. and 3 p.m.,  Monday to Friday, at your bank branch only to get money. Period.
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Here's a picture from Stanley Park near Dead Man's Island, looking back toward the city. You can clearly see how much infill there has been in the last 17 years. Notice that the Marine Building on the far right sits on the natural shore, overlooking the rail-yard. The  large arched window is street-level now . There are two blocks north of the Marine Building now, Cordova St. and Canada Place, and the new Convention Centre also sits north of the Marine Building such that now the distance from the natural shoreline to the water is about half a kilometre. For the sake of comparison, the picture below was taken this January of this year on Cordova St.

You can also see the CP Ferry in dock. This is was a commercial-only ferry that carried tucks and rail-cars from the inner harbour in Nanaimo. It docked directly across for former truck-tunnel that was dug in the 1930's so the heavy trucks could travel between this railyard and the one on the False Creek Flats. Didn't know there was a tunnel for trucks to drive underneath Vancouver? That's because it got repurposed in the 1980's for the SkyTrain. The tunnel the SkyTrain runs through was built over half a century before the SkyTrain.

Notice the buildings along Hasting Street to the right of the Marine Building. All of them have plazas on the ground floor that overlook the water that people used to sit and have their lunches on. All of these now have a "view" of Cordova St. and the towers across the street and almost never get used for anything anymore. To the left of the black office tower is a small park, Portal Park, that used to also be a nice place to look over the water. No tower was ever built there because the tunnel entrance is right below it, so there is no way to make a deep foundation. That park isn't very nice anymore since there are now fairly busy streets on three sides of it and the arched portal sculpture/building that is the park's main feature gets used as shelter by homeless people.

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For most people I know my age and younger it is their grandparents or even great-grandparents that were involved in WWII. Unlike today it was very unusual around the time of my birth for people in their late 30's or early 40's to be having children but that's precisely what my parents did. For that reason I'm only one generation removed from what is still referred to at "the war." It's not the distant past for me. It's my parents. My father fought in North Africa in Italy. My mother lived in Belgium during the German occupation.

Below are some tattered old ribbons from another century that I keep in my father's old jewelry box. The medals they represent are long gone, the corresponding images are from the Ministry of Veterans Affairs website:


The 1939-45 Star
Awarded for a minimum of six months active service in the army in Europe


Defence Medal
Awarded for a minimum of six months overseas service in an area under enemy threat


War Medal (1939-1945)
Awarded for full-time service during WWII

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In round numbers, if a Pound Sterling was actually worth a pound of silver at current prices, a penny (meaning a measure of weight equal to 1/240th of a pound) would be worth about one Canadian or American dollar. A loaf of cheap bread therefore costs about 2 pennies weight of silver and a pint of beer, 5 pennies - which is pretty close to what they cost 100 years ago when a pound was worth a pound.

Clowns

Aug. 1st, 2007 11:23 am
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Why are 21st century clown costumes still locked in appearing like homeless men from the 1920's and 1930's? What kid is going to every going to get that reference? And even if they did, who finds an alcoholism induced bulbous red nose and the look of dishevelled homelessness amusing anymore? This style of clown in based in a bourgeois elitist scheudenfraude. It's like going down to the Lower East Side and laughing at the crack-heads and heroin addicts.
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What you are seeing here is the old Capitol 6 cinema from the Seymour Street side. The building across the alley with the gaping holes is the Granville Street entrance and the excavation in the foreground is where the six cinemas were. The Capitol Six was built in 1975 as part of the ultimately failed attempt to turn Granville Street into a walking mall. Prior to closing it off to all but trolleys, buses, and taxis Granville Street used to be the main drag and boasted the highest density of neon signs in the world, surpassing even Las Vegas at the time. Some well-intentioned but misguided urban planner decided that by removing the cars from the equation people would promenade rather than cruise.

The approach standard to indoor shopping malls was taken, anchor store at one end and food court at the other and that's where it failed. On the 600 block of Granville was the Bay, Eatons was on the 700 block, the 800 block had the brand new Capitol Six, the Granville 7 Cineplex/Odeon with a McDonalds at the end of the block at Nelson and the food court kitty-corner from the McDonalds across Nelson.

At the time of the Granville Mall's creation Davie Street was the red light district (the Ultra Love sex shop and the bank of pay-phones in front of the Shoppers Drug mart are remnant of this time) and Yaletown was an industrial skid full of sawmills, warehouses, and welfare hotels. Granville Street between Nelson and the Granville Bridge had deteriorated into a string of seed sex-shops, 25¢ movie booths, and by-the-hour hotels. A further attempt to anchor the south end of the Granville Mall in the form of the Chateau Granville luxury hotel on the 1000 block of Granville at the corner of Granville and Helmeken, also built in 1975. It was hoped wealthy tourists walking from the hotel to the Granville Mall would attract "respectable" business to the 900 block of Granville.

In reality, during the day, Eatons became the south anchor since it was much more pleasant and palatable for the average person to turn off on Robson Street, walk past the gleaming new provincial courthouse and the old courthouse now converted to the Vancouver Art Gallery and the ultra-modern Vancouver Public Library go to a restaurant on "Robson Strasse" the former heart of the German immigrant community and home to many fine restaurants. It was only in the evening would people walk the the 800 and 900 blocks of Granville to go to the cinemas - the new Capitol Six, the Odeon/Granville 7 Cinemas, the Plaza, the Paradise, the Caprice, and the Vogue - or to attend performances at the Orpheum and Commodore.

Only the very well established niche businesses, like Leo's Cameras, Granville Optical, Tandy Leather, and Granville Books or places that served the cinema-goers, like Taf's Café thrived. But with the 800 block of Granville being the main stop for the trolleys a different daytime crowd emerged - suburban punks and death-rockers. During the day the 800 block of Granville was populated by the alternative crowd and businesses like Fox and Fluevog, the Underground, and Golden Age Collectibles catered to them. Taf's was the place to hang out (along with the back stairs of the art gallery around the corner).

In the late 70's and early 80's I used to go the cinemas with my dad when he needed to come into the city for business. We'd often go to a matinée before heading back to the ferry. In the late 80's I'd regularly come over from the island to go clubbing at Graceland, Luv-a-fair, the Eclipse, and the Twilight Zone. I was one of those death-rockers (called "Gothics" at this point, the term had not yet shortened to just "goth") on the 800 block and the art gallery stairs. In 1990 I moved to Vancouver permanently to attend SFU. I became a regular at Taf's. In the early 90's my girlfriend at the time worked as a jewelry vendor on the 800-block of Granville and I occasionally did as well (I was frequently sought out by people who could not get their puzzle rings reassembled). A little later I got a part-time job at the Capitol Six as a doorman and usher since the hours worked well with my class schedule. It was a terrible, low paying job, but better than nothing.

The job had it's moments though. I let my friends "sneak" in for free on Wednesdays when I would be the only person checking tickets. "Nightmare Before Christmas" came out while I worked there, which is where I got the 6' x 4' Jack and Sally posters that hang in my hallway. There was the utterly surreal moment of finding a live turtle on the stairs leading to the alley overpass from the Granville entrance. It was before Yaletown was built up with towers and it was stunning to watch fogs fill False Creek and spill into the city from the windows on the top floor. I'll also never forget the annoying brat wiping out in the sludge lake in Cinema 1.

Like any multiplex theatre our primary function as doormen were to keep people (usually boys between the ages of 12 and 15) from buying one ticket and then skipping from one cinema to another to see two or three movies. One day there was a couple of particularly obnoxious 12-year olds that were trying to skip from a 7:00 show to the 9:00 show in Cinema 1. Cinema 1 one was the big screen on the first floor that seated about 1,000 people. On a Saturday with a popular movie with shows at 1:00, 3:00, 5:00 and 7:00, three to four thousand people have already been through the cinema by the 9:00 show. A lot of those people spill pop. The floor is sloped and all the spilled pop would collect in a foetid puddle in the space between the first row and the screen. While another doorman and I had the exits back to lobby blocked a third doorman was chasing this kid down the isle to boot him out. The kid tore down the isle, slipped in front of the first row and skidded into the pop-lake. He was covered from head to toe in rancid pop. It wasn't hard to get him to leave after that.

Now the Capitol Six is gone. It was replaced by the Paramount (now "Scotia Bank Cinemas") at Smithe and Burrard. Fluevog (now sans Fox) and Taf's remain, but the "alterno-mall" portion of the Granville Mall is gone with it. The Underground didn't survive the four-month bus-strike of 2001. Other business were driven away (Leo's) or driven out of business (Cheap Thrills, Granville Books) by raised rents resulting from the Canada Line LRT station going in at Granville and Robson and 2010 Olympics profiteering. The Vogue is now a performing theatre, while the other single-screen cinemas have all been turned into cavernous night-clubs in another city hall (mis)guided initiative to return Granville Street to its glory days of 40-50 years ago.
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I've been reading "Historical Atlas of Vancouver and the Lower Fraser Valley" by Derek Hayes and have had a few old mysteries about certain streets cleared up. Ever wonder why the block between Alberni and Georgia streets is so narrow and why Alberni abruptly ends at Burrard? Or why, excluding Georgia, Davie, Pacific and Nelson, none of the streets west of Burrard match up with the streets east of Burrard? And why does Burrard, the busiest north-south street through downtown, just end at 16th? Or why there is a bizarre dog-leg in Oak Street at 16th? Or why on Granville there are shops north of 16th abruptly giving way to giant lots with mansions on the south side of 16th? What's up with that great big square of nothing in Richmond between Alderbridge, Westminster Highway. Garden City and Shell Road?

Well the mismatching of streets downtown on either side of Burrard is because, prior to incorporating together in 1886, there were two separate town sites on the downtown peninsula. East of Burrard was "Granville" and west of Burrard to Stanley Park was "Liverpool". Granville was laid out with the long side of the block parallel to Burrard, whereas Liverpool had the short side parallel to Burrard. Pacific, Davie, Nelson and Robson more or less line up by accident. Granville was a CPR townsite and Georgia was already established as main street so the planners of Liverpool carried it through despite that it interrupts their grid, thus the narrowness of the block between Alberni and Georgia, the after-the-fact dog-legs at Smithe-Haro and Dunsmuir-Melville, the weird left-over street-to-nowhere that is Eveliegh, and all the other "what were they thinking?" weirdness that happens at Burrard.

And why does Burrard itself just suddenly end at 16th? Because, in 1886, that's where Vancouver ended. The original city limit was at 16th and all the space beyond was unincorporated nothing. When the Interurban electric railway was built between New Westminster and Vancouver the people that had land in the intervening unincorporated space got together to incorporate everything from Point Grey to North Road as a new municipality. There was a disagreement over the name. The farmers in the eastern part wanted it named "Burnaby" after Colonel Moody's secretary Robert Burnaby, who was the first to survey and map Burnaby Lake. Real estate speculators who wanted to make money selling lots near the Interurban line wanted to call the new municipality "South Vancouver" since they thought that was a more marketable name. They split the territory at what became Boundary Road. To the east was Burnaby, to the west was South Vancouver. South Vancouver incorporated in 1891. Burnaby in 1892. Like the Liverpool/Granville join, the grid for South Vancouver was laid out separately from the grid in Vancouver, thus the mis-match of Oak at 16th.

Because land was cheaper in South Vancouver than in Vancouver lots in the east were marketed to blue-collar sorts. The municipal government of South Vancouver refused to go into debt and roads and other services weren't getting built fast enough to suit the richer land-owners in the western part, so they split off (at Cambie Street, then called Bridge Street) in 1908 and formed the municipality of Point Grey. The abrupt change in zones on Granville at 16th is because at the time houses like Hycroft Mansion were being built, they weren't in Vancouver. Point Grey and South Vancouver were separate municipalities up until 1929, and it is no accident that the new (and current) Vancouver city hall, built shortly after amalgamation, is at 12th and Cambie, more or less where the three municipalities met.

So what's the connection to all this and that weird patch of nothing in the middle of Richmond? It goes back to the Interurban - and this is funny in a painfully stupid kind of way. The original line of the Interurban, built in 1891, connected New Westminster and Vancouver, spurring the creation of Burnaby and South Vancouver. In 1902 a second line was opened to Steveston. That's what the railway tracks beside Arbutus Street in Vancouver and along Shell Road in Richmond are. In the 1920's someone had the brilliant idea of putting an airport along the Interurban line in Richmond and that blot of nothing is it. When planes got bigger and longer runways were needed the airport was moved to Sea Island, but think about it for a second. In 1986, in order not to look like dufuses with the rest of the planet looking millions were spent to build the original line of SkyTrain between Vancouver and New Westminster. Guess what path it follows? The path of the electric railway that was there in 1891. And right now, again simply to not look like dufuses with the rest of the planet looking because of the 2010 Winter Olympics, hundreds of millions more are being spent to build rail transit to Richmond that we had in 1902 and a connection to the airport that we effectively had before there was an airport. It seems that in the area of transit all we've managed to accomplish in the last twenty-one years is flail around trying to rebuild what was in place over a century ago.
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If 95% of the people on earth right now were to suddenly die, the total population of the earth would still be higher than it was in the at any point prior to a thousand years ago.

Put another way, in the last thousand years the total number of humans living on earth has increased twenty-fold.
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From the south-west corner, looking north-east.



From the rose gardens on the south lawn, facing north-north-west.


The Empress Hotel was built in 1908 as part of the Canadian Pacific Railway's chain of luxury hotels. The land it is sitting on is fill. The street in front, Government Street, was a bridge across James Bay when construction started. The city of Victoria originally granted the land that the natural history museum is now on to CP on the condition that they build and operate a hotel in the city for a minimum of fifty years. The architect, Francis Rattenbury (who also designed the provincial legislature buildings in Victoria and the fantastic power plants half way up Indian Arm), decided that filling the bay and parking the hotel centred in Victoria's inner harbour would make for a much more impressive presence. The original hotel (the part in these pictures) and the extension built in 1912 rest on Australian iron-wood pilings that are actually insufficient for the weight of the building - the hotel has settled about half a metre since it was constructed. I pointed out the repairs in the masonry to Elaine while we were there, but didn't think to take a picture. When the conference centre was added behind the hotel in the late 1980's stainless-steel pilings were driven nearly twice as deep as the pilings bearing the hotel and they only carry a fraction of the weight.

Work Today

Sep. 6th, 2006 09:55 pm
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Rather than city hall, work today involved an hour-long boat trip up this fjord (Indian Arm).



Along the way we passed the derelict hulk of the once proud and mighty McBarge (I haven't had time to photograph the blue-prints for eBay yet).



We also passed some three hundred year old graffiti petroglyphs. I'm still trying to figure out what exactly makes painting on a rock with fish-oil and berry crud to mark territory three hundred years ago different from tagging. Will people be pointing out spray-painted rocks three hundred years from now and marvelling at how they were done with such primitive things as CFC-propelled petroleum-based pigments? The myth of the noble savage lives on ...



The final destination was this <sarcasm>God-awful, butt-ugly part of the world</sarcasm>. The building across the water is an artifact I was much more impressed with, and is worthy of note.



The building across the way was designed by Francis Rattenbury, the architect of the provincial legislature and Empress Hotel in Victoria and built in 1914. See those big pipes going up the side of the mountain and the openings below the lower concourse of windows? This is a hydroelectric plant. There is another plant around the point built in 1903 and originally powered solely with water coming from Buntzen Lake on the other side of the mountain and later augmented with water from Coquitlam Lake via a 5 Km tunnel through another intervening mountain (completed in 1905). This plant was added in 1914. Both plants are still in use. The photo below gives it a bit more of a locational context:


I adore the combination of hubris and elegance of Victorian/Edwardian engineering.


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My mother sent me an e-mail of stories and pictures from a website detailing the V-bomb attacks on Antwerp late in World War II.

Imagine this: you are a fourteen year-old girl. It's a couple weeks before Christmas and all your friends want to go to town to see the new movie. They want you to come too. You say you can't afford it and want to save the money for Christmas. They plead with you and try to get you to come along and won't take "no" for an answer. You have a hard time convincing them (and yourself) that you don't want to come, but eventually they give up trying to drag you along and go without you.

The cinema gets hit by a bomb and all your friends die.


That's one of my mother's stories. This is the cinema:

The Rex Cinema, Antwerp, Belgium. December 1944.


The article my mom sent me today )
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This was the cover of today's National Post.


Now bear in mind that the Mongols are to Islam as Nazis are to Judaism. The Mongols wiped-out whole cities in Persia and Iraq, killing millions. In 1298 the invading Mongols slaughtered an estimated 800,000 people in Baghdad and killed the Caliph (more or less Islam's equivalent to the Pope) and all his family and heirs. The event is at the hub of much of the last 700 years of history in the area and the ramifications of it continue today. Saddam Hussein frequently made referrence to the Mongol invasions in his speeches against the United States. As an occupying force in Baghdad right now Bush is not making it easier for his troops by posing for a picture like this. Even the Crusaders are less reviled in the Muslim world than the Mongols. I can't even think of a more historically myopic and just plain blatantly stupid photo opportunity for the man. He wouldn't be any more in-your-face if he were to paste horns on his head, paint himself red and parade around Baghdad holding a sign saying "Great Satan"... Only in this case he's not the one that is going to have rocket-propelled grenades launched at him. Way to go Peace Duke.

larger scan under the cut )

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